David Chalmers Alesworth

“The Home Front” travelling horticultural experiments

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All this has to become work too…….

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Weddelia and Washingtonia in the front garden, October 2009.

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Luca, from our room to the Olive orchard.

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The Olive grove at alta Luca, Tuscan hills.

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Unripe Ginko Biloba Seeds from near Cuvrystrasse, Berlin.
Prior to planting. None have sprouted in three months.

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The vegetable garden and wormery on my return from Europe.
Almost everything is dead.

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How the Tuscan Olive cuttings were at the begining, August 2009.
-three months later only one is still green.

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Thuja orinetalis From near Camp Darby, Tuscany.

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More unripe Ginko nuts

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The summer’s seed gleanings

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Stop Camp Darby.
Outside Pisa Botanical Garden.
Camp Darby is a 2500 acre US munitions dump in the Tuscan countryside between Luca and Pisa.

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Congolese Avocado’s

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Cat and slug proofing the Ruccola seedlings, moth balls and slug-bait.

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Tuscan Olive cuttings

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Tuscan olive cuttings

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Pots at Lahore nursery.

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Baltistan (-towards some new work)

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Working for Agha Khan Cultural Services on the Baltit forts,
as the horticultural consultant.
First visit October 2009

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Mushtaq’s solar dryer house in Saling, he’s to the left of his new house.
Mushtaq was a cook in Saudi Arabia for a number of years.
He’s now a keen gardener and has a fish farm, garden and restaurant which is
very much of his own taste. He’s drying Sea-Buckthorn berries and Apricots here, making a medicinal jam in the kitchen downstairs. The labels carry his email address.

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Mushtaq’s private museum of local treasures.
Everything is directly labeled, on it’s surface.

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Between Khaplu and Saling, impossible scale.

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Paeony in the gardens at Khaplu fort.
This raises interesting issues about what constitutes an authentic garden here.

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The mali’s and their tools.

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Khaplu fort.

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The garden at Khaplu

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The mali’s herbarium.
All the wild flowers appear the same in this state.

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Gardens at Khaplu fort. Mostly raised from imported seeds.
The structure of lack of it is what interests me.

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Khaplu fort

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Ceiling at Khaplu fort

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Khaplu fort

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Khaplu fort

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Nuts and fruits at Khaplu

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The Project

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Landing at Shigar fort

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the view from Shigar fort, dawn.

So how does this become work?

Obviously diaristically, but also I am intending to undetake interviews with the local inhabitants concerning their ideas about the “garden”. There are also some interesting rumours of an english governess and the Mir’s son. This may have resulted in a disinheritance, the couple ultimately lived in the gardens of Khaplu fort. I suspect thats how a number of British plants arrived there, and are still persisting hundreds of years later.

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Lahore City (Context) September 2009

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“Main Boulevard September 2009”
Sony HD Handycam

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“Dream Flowers” (Context images)

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Eid at Liberty Market, Lahore (Context)

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Some context images from Lahore city, September 2009
shot on a Sony HD handycam.

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“Roti Home” (Work)

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How to make work from incidental encounters such as this?
Old roti’s being stored in a disused bird-cage on top of a broken dolls push-chair.
I’m going to set it up on a plinth under studio lights and see what happens.
Maybe track around it with a video camera. recently got a Nikon 35mm adapter for the XL-1.

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Urban Trees-ongoing (Work)

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I’ve been thinking about a work entitled “The Beautiful Painted trees of Pakistan”
It might be in the form of an English explorer’s portfolio of water-coloured botanical illustrations, maybe in miniature on wasli. Perhaps a combination of text, printed image and hand-work.

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However the urban tree here faces many more challenges besides paint.

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Tree that don’t sleep.
Constant light will eventually kill any plant.

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Street Weaponary, Lahore.

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Context images, not studio work….

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Even the trees are armed
Chorisia speciosa, the Buddha tree.

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Moving, context images….

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Moving home and moving Campus.
This is not studio work, this is just for context.

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Riverside Leisure, Berlin 2009

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“Riverside Summer Home” Berlin. Summer 2009. web. 1.45 min

A sample of fifty-five perfect little homes.
The law states no one is allowed to stay here overnight.

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I intend to present them as grid of vintage Kodachrome looking postcard sized images. Alternatively I may issue them as a set of postcards? Yet another Berlin work to resolve.

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