The law states no one is allowed to stay here overnight.
Some abandoned railway bridges and some still in use. Frequently passed on our way into Transart, summer 2009. I didn’t get to make work from them on the residency but afterwards I went back and documented them with stills and video.
Similar to the Lola piece they too bear witness.<meta name=”Title” content=””> <meta name=”Keywords” content=””> <meta equiv=”Content-Type” content=”text/html; charset=utf-8″> <meta name=”ProgId” content=”Word.Document”> <meta name=”Generator” content=”Microsoft Word 2008″> <meta name=”Originator” content=”Microsoft Word 2008″>
I intend to take a very expanded view of the garden as culture and nature (including small farms, orchards and the landscape of the cities of Lahore and Karachi).
To investigate the possibility of obscured layers of garden practice and concepts that may originate in the land and region itself.
I will include sites in Baltistan as they would seem to have a very different conception of the garden and hopefully I will continue to work there some of this year.
-the poppy fields of the far north, what fantastic gardens they might be?
The current renaming of streets (and prior namings under other administrations) the removal of all Raj statuary and re-appropriation of sites Victoria’s memorial is now Jinnah sister memorial in Lahore).
My emphasis is probably to be on the soft-landscape rather than an analysis of architectural elements, though I’m sure that will form a part of the research.
Perhaps the result would be to argue that the naming of most plants and any particular conception of the garden will always be layered with obscured influence.
Draft title: “Working the Garden, a consideration of the garden in contemporary Pakistan”.
Towards my studio work “A Taxonomy of Eden” I will be researching gardens and urban landscape in contemporary Pakistan. This will include varying attitudes to the notion of nature, wilderness and the paradise garden. Also the legacy of aging colonial parks. Besides readings (see bibliography below) I will interview a cross section of contemporary society from career gardeners in Lahore’s parks, agricultural workers, religious scholars (and lay practitioners from various religions and sects) the educated and the less educated in the city and countryside of Lahore and Karachi (possibly further afield also). From nursery owners, the head of the Punjab Horticultural Authority to jobbing residential gardeners in the Defence housing authorities of Karachi and Lahore. This will follow a format of recordings, translations, transcriptions and analysis. Also photography and some video. I work as a freelance horticultural consultant in Pakistan and have done so for the past 21 years. My clients currently include Agha Khan Cultural Services Pakistan, with whom I am working on several restoration projects, including the uplift of the North Circular Park belt around Lahore’s old city.
(Sacred Texts. Garden Design. Garden History. Landscape. Popular Culture. Decorated Transport. Trees on the edge between nature and culture. Motifs. Carpets. Ageing colonial public parks in Lahore. The culture of the Mali.)
Albinia, Alice. Empires of the Indus. John Murray. 2008.
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Aubrey, James R., ed. John Fowles and Nature: Fourteen Perspectives on Landscape. Madison, NJ: Fairleigh Dickinson University Press, 1999.
Aydon, Cyril. Charles Darwin, His life and times. Running Press. 2008.
Bailey, L. H. How Plants Get Their Names. New York: Dover Publications, 1963.
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Baydawi, Abd Allah, and Mahmud Isfahani. Nature, Man and God in Medieval Islam: ‘abd Allah Baydawi’s Text, Tawali’ Al-Anwar Min Matali’ Al-Anzar, along with Mahmud Isfahani’s Commentary, Matali’ Al-Anzar, Sharh Tawali’ Al-Anwar. Translated by Calverley, Edwin E. and James W. Pollock. Edited by Edwin E. Calverley and James W. Pollock. Vol. 2,. Boston: Brill, 2002.
Bedford, Henry F. Citizen Politics and Nuclear Power Citizen Politics and Nuclear Power. Amherst : University of Massachusetts Press, 1990.
Bell, Simon. Landscape: Pattern, Perception, and Process. New York: Spon Press, 1999.
Benson, Lyman D. Plant Taxonomy: Methods and Principles. New York: Ronald Press Co., 1962.
Bracey, H. E. English Rural Life: Village Activities, Organisations, and Institutions. London: Routledge and Paul, 1959.
Brichto, Herbert Chanan. The Names of God: Poetic Readings in Biblical Beginnings. New York: Oxford University Press, 1998.
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Conlogue, William. Working the Garden: American Writers and the Industrialization of Agriculture. Edited by Jack Temple Kirby. Chapel Hill, NC: University of North Carolina Press, 2001.
Dale, Stephen F. The Garden of the Eight Paradises: Babur and the Culture of Empire in Central Asia, Afghanistan and India (1483-1530). Boston: Brill, 2004.
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Building upon “The Garden of Babel” 2009 as the initial format I will work towards examining aspects of various sacred texts in translation. Those of the Abrahamic religions including Judaism, Christianity and Islam and possibly others in the broad grouping in relation to notions of the garden of Eden. In this respect I will be particularly focusing on the plants mentioned there. Using this with allied horticultural enquiry, and in consultation with various international scholars I would work to build a plausible taxonomy of Eden. The works may be gridded digital prints of botanical and zoological accession labels, as are to be found in Zoos and botanical gardens around the world. My work on “The Garden of Babel” revealed a pleasing lack of scientific rigour in the world of plant taxonomy. I would find reasonable botanical approximations of specifically mentioned plants in Eden (these will be real plants). I will aim for around 180-300 plants in a work. There may be one or more works. I will then make the labels in etched plastic laminates, as authentic botanical labels. Photograph them in particular settings, as I have learnt from the making of “The Garden of Babel”. These may then be composed as grids and printed as large C-prints. How the work will play out in other forms such as performance, video, audio, texts, woven carpets or illuminated manuscripts or their digital equivalents remains to be seen.
Notes/alternatives: Performative: (Autobiography/Horticulture/Video) The Lawn Mower. New Liberal Mowers, Lahore, producing Ransomes vintage 1950’s machines, monstrous machines evolving on their own paths away from their colonial models. Lawn grass is the white mans burden? Myself pulling a large mower around a massive lawn I have made, (re: Un Chien Andalou, the harness pulling all the mass of culture) I encounters at various Stations around the route (Columns of Stewardship for example). Garden machines, garden technologies, male (Machinery) and female (the land itself). A sort of Cremaster of the garden approach. Exploring the history of the lawn: it speaks of class aspirations, industrialization has allowing broad access to the privilege of the lawn, once the domain of the landed gentry. To make my own lawn-mowers and perform with them? (Very autobiographical). Greens, British racing greens (Brooklands, where I studied), English mower greens, the Suffolk Punch mower. Water cans, columns of Stewardship, a journey around the Tarogil lawns. Lawrence Mali’s. Howard Gem rotator’s. My grandfather’s horticultural medal. Events in the journey around the Tarogil play ground lawn, journeying on a ride-on mower?
Research Synopsis 2009
HALF-LIFE
New Work
David Alesworth | Huma Mulji
Zahoor ul Akhlaq Gallery
National College of Arts | Lahore | Pakistan
“The Garden of Babel”